Hundreds and Thousands: The Journals of an Artist
Book Details
| Title: | Hundreds and Thousands: The Journals of an Artist | ||||||||||
| Author: |
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| Published: | 1966 | ||||||||||
| Publisher: | Irwin Publishing Inc. | ||||||||||
| Tags: | autobiography, Canadiana, diary, memoir, non-fiction | ||||||||||
| Description: | Emily Carr chose to call her published journals HUNDREDS AND THOUSANDS after the minute English candies so small they need to be eaten by the mouthful to be appreciated.
“Too insignificant to have been considered individually, but like Hundreds and Thousands lapped up and sticking to our moist tongues, the little scraps and nothingnesses of my life have made a definite pattern.”
In her notebooks, she chronicled her philosophy of art, her criticism of her own work and others’, her hopes and fears. She also wrote of the subjects she painted—the sea, sky and forests of British Columbia. A personal and passionate manifesto of an extraordinary artist.—Back Cover [Suggest a different description.] |
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| Downloads: | 183 | ||||||||||
| Pages: | 302  |
Author Bio for Carr, Emily
Emily Carr (1871-1945)
Emily Carr was a Canadian artist and writer who was inspired by the Indigenous peoples of the Pacific Northwest Coast. One of the first painters in Canada to adopt a Modernist and Post-Impressionist painting style, Carr did not receive widespread recognition for her work until the subject matter of her painting shifted from Aboriginal themes to landscapes—forest scenes in particular of British Columbia. As a writer, Carr was one of the earliest chroniclers of life in British Columbia.
In 1898, at age 27, Carr made the first of several sketching and painting trips to Aboriginal villages. She stayed in a village near Ucluelet on the west coast of Vancouver Island, home to the Nuu-chah-nulth people, then known to English-speaking people as ‘Nootka’. In 1912, Carr took a sketching trip...
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