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In the Wet

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This book is a member of the special collection Special Collection: The Works of Nevil Shute (1899-1960)

Book Details

Title:In the Wet
Author:
Norway, Nevil Shute  Writing under the pseudonym: Shute, Nevil   
(5 of 24 for author by title)
Landfall
The Far Country
Published:   1953
Publisher:William Morrow & Company, Inc.
Tags:adventure, Australia, fiction, monarchy
Description:

The story is opened by its initial narrator – an Anglican priest in the Bush Brotherhood named Roger Hargreaves – who describes his ordinary circumstances in a large parish of the Australian outback in 1953. As part of his duties, he has to minister to the dying and this brings him into contact with an aged, alcoholic, opium smoking, diseased, ex-pilot and ex-ringer named Stevie.

Caught in Stevie's squalid cabin in a heavy rainy season, Hargreaves struggles with recurring malaria whilst on deathwatch for Stevie. As both men are in altered mental states the story shifts and Stevie becomes David 'Nigger' Anderson, a decorated member of the Royal Australian Air Force, telling his story to Hargreaves. But this is a story set 30 years in the future, in 1983.

'Nigger' is a quadroon, of mixed European and Aboriginal ancestry. As a first rate pilot he is chosen by his country to be a member of an elite test pilot team in the UK.--Wikipedia. [Suggest a different description.]

Downloads:2,153
Pages:396 Info

Author Bio for Norway, Nevil Shute

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Shute's novels are written in a simple, highly readable style, with clearly delineated plot lines. Where there is a romantic element, sex is referred to only obliquely. Many of the stories are introduced by a narrator who is not a character in the story. The most common theme in Shute's novels is the dignity of work, spanning all classes, whether an Eastern European bar "hostess" (Ruined City) or brilliant boffin (No Highway).

Another recurrent theme is the bridging of social barriers such as class (Lonely Road and Landfall), race (The Chequer Board) or religion (Round the Bend). The Australian novels are individual hymns to that country, with subtle disparagement of the mores of the USA (Beyond the Black Stump) and overt antipathy towards the post-World War II socialist government of Shute's native Britain (The Far Country and In the Wet).

Shute lived a comfortable middle-class English life. His heroes tended to be middle class: solicitors, doctors, accountants, bank managers, engineers...

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