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No Highway

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This book is a member of the special collection Special Collection: The Works of Nevil Shute (1899-1960)

Book Details

Title:No Highway
Author:
Norway, Nevil Shute  Writing under the pseudonym: Shute, Nevil   
(11 of 24 for author by title)
An Old Captivity
Most Secret
Published:   1948
Publisher:The Book Society Ltd.
Tags:adventure, airplanes, Canada, England, fiction, mystery, suspense, film/TV adaptation
Description:

The anti-hero of the story, Theodore Honey, is engaged in research on the fatigue of aluminium airframes. His current project, overseen by Dr. Dennis Scott, is to investigate possible failure in the high aspect ratio tailplane of a new airliner, the fictional Rutland Reindeer. Honey, a widower, in addition to his work, must bring up his young daughter, Elspeth. The events are narrated by Scott in the first person.

Honey is unimpressive in appearance and is so intensely focused on his work that his relations with the outside world — never that good to begin with — suffer badly. Throughout the story, people judge him by that appearance, or by his varied and unconventional outside interests, such as pyramidology, the study of possible esoteric interpretations of the Pyramids.--Wikipedia. [Suggest a different description.]

Downloads:4,056
Pages:164 Info

Author Bio for Norway, Nevil Shute

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Shute's novels are written in a simple, highly readable style, with clearly delineated plot lines. Where there is a romantic element, sex is referred to only obliquely. Many of the stories are introduced by a narrator who is not a character in the story. The most common theme in Shute's novels is the dignity of work, spanning all classes, whether an Eastern European bar "hostess" (Ruined City) or brilliant boffin (No Highway).

Another recurrent theme is the bridging of social barriers such as class (Lonely Road and Landfall), race (The Chequer Board) or religion (Round the Bend). The Australian novels are individual hymns to that country, with subtle disparagement of the mores of the USA (Beyond the Black Stump) and overt antipathy towards the post-World War II socialist government of Shute's native Britain (The Far Country and In the Wet).

Shute lived a comfortable middle-class English life. His heroes tended to be middle class: solicitors, doctors, accountants, bank managers, engineers...

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