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Tales of Men and Ghosts


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Title:Tales of Men and Ghosts
Author:Wharton, Edith
Published:   1910
Publisher:Charles Scribner's Sons
Tags:fiction, ghost, short stories
Description:Tales of Men and Ghosts collects ten short stories previously published in Scribner's Magazine and The Century during the years 1909 and 1910: "The Bolted Door," "His Father's Son," "The Daunt Diana," "The Debt," "Full Circle," "The Legend," "The Eyes," "The Blond Beast," "Afterward," and "The Letters." Set in Europe and New York City, the main characters usually are men--artists, dilletantes, or businessmen--and their friends, proteges, and hangers-on. Frequently, the unnamed male narrator also is a character in the story. Only two stories, "Afterward" and "The Letters," feature women as obviously central characters, although the peripheral female characters in the stories sometimes play important roles.
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Downloads:65
Pages:229 

Author Bio for Wharton, Edith

Edith Wharton (born Edith Newbold Jones; January 24, 1862 – August 11, 1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930. Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels and short stories of social and psychological insight. She was well acquainted with many of her era's other literary and public figures, including Theodore Roosevelt.

The Age of Innocence (1920) won the 1921 Pulitzer Prize for literature, making Wharton the first woman to win the award. The three fiction judges—literary critic Stuart Pratt Sherman, literature professor Robert Morss Lovett, and novelist Hamlin Garland—voted to give the prize to Sinclair Lewis for his satire Main Street, but Columbia University’s advisory board, led by conservative university president Nicholas Murray Butler, overturned their decision and awarded the prize to The Age of Innocence.

Many of Wharton's novels are characterized by a subtle use of dramatic irony. Having grown up in upper-class, late-nineteenth-century society, Wharton became one of its most astute critics, in such works as The House of Mirth and The Age of Innocence.

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